Search

planktonproduktions

Cult Films & Sounds, Spain & South America

68½

canyon

68½: Movies, Manson & Me” is the first book by PlanktonProduktions, available as a free download from Smashwords, on Amazon Kindle (for 99p) and as a paperback, exclusively from Plankton Produktions (click on Buy above). A mind-bending journey through the outer reaches of the late 60s and 70s, the drugs, the movies, the murders, it’s equal parts autobiography, paean to the cinema of the time, DIY guide for aspiring screen-writers, and inquiry into the nature of truth and memory. “A true genre-buster,” says Nick Gilbert (no relation).

Advertisements
Featured post

In Extremadura, coming Jan 2018!

My second book, due out in January 2018,  is a radical deconstruction of the Brit Abroad genre (see, for example, A Year In Provence,  Driving Over Lemons)  (on second thoughts, don’t!)  Personal travelogue, history and comic treatise on the nature of mortality rolled into one, it includes predictable digressions on cinema (Orson Welles, Luis Bunuel, Nic Roeg)  & literature (Javier Cercas, Peter Dickinson, Herge) Islamic & Christian peregrination,  wild swimming in Scotland, celebrity speed freaks and the death of David Bowie. Continue reading “In Extremadura, coming Jan 2018!”

Featured post

Pre-order “In Extremadura”

In Ex Front Cover LARGE

Pre-order the paperback for only £6.00 including UK postage!

btn_buynow_cc_171x47

Archaeology Corner: Bloody L!

Here’s a question they’ll probably never ask on Have I Got News For You. What do Rolling Stones sidekick David Litvinoff, Lysergic Acid Diethylamide and TV show Little Britain have in common? The answer is… Llanddewi Brefi, a tiny village in Ceredigion, Wales. Continue reading “Archaeology Corner: Bloody L!”

Every Album I Own: L is for (Patti) Labelle

… and for Lady Marmalade, although that’s only the tip of the iceberg which is the Labelle canon. Formed in the early 60s as the Blue Belles, or Bluebelles, Labelle rose to fame with a Busby Babes-style front four of Patti Labelle (formerly Patricia Holt), Cindy Birdsong, Nona Hendryx and Sarah Dash, singing perfectly acceptable but unremarkable bubblegum pop-soul. In 1967, Birdsong left to join the Supremes, which is probably where she belonged, and the remaining trio changed their name, their look and their musical style radically, to become the freaked-out funk/soul/disco/rock hybrid we know and love. Continue reading “Every Album I Own: L is for (Patti) Labelle”

Archaeology Corner: Brad Dourif

“Where you come from is gone, where you thought you were going to weren’t never there, and where you are ain’t no good unless you can get away from it…”

You probably know him, if at all, as Billy Bibbit in Milos Forman’s film of One Flew Over The Cuckoo’s Nest, or as Grima Wormtongue (i.e. Theresa May) in Lord of The Ringszzz, or perhaps as the voice of Chucky in the Child’s Play/Chucky franchise (where he goes about an octave lower than usual). But to some of us Brad Dourif will always be – in a way, will only ever be – Hazel Motes from Wise Blood, John Huston’s brilliant, low budget adaptation of the offbeat Flannery O’Connor novel, a masterpiece of Southern Gothic. Continue reading “Archaeology Corner: Brad Dourif”

Archaeology Corner: John Cazale

John Cazale only appeared in half a dozen films, but what films!  The Godfather Parts I and II (which are really just one long film, and best seen that way) The Conversation, Dog Day Afternoon and The Deer Hunter – he excels in all of them. These, together with a posthumous appearance in The Godfather Part III – for which he has issued a grovelling apology  from beyond the grave – mark the sum total of his screen work. Continue reading “Archaeology Corner: John Cazale”

Every Album I Own: K is for Kiss Alive II

You wanted the best and you got…. Kiss. I was going to devote this post to King Crimson, just so I could wax lyrical about how under-rated and under the radar Robert Fripp has been for most of his career, considering the part he has played in the music of David Bowie, Daryl Hall and the mighty KC themselves (as in Crimson, not the Sunshine Band, mighty though they also are). I didn’t want to talk about Kiss, and have people think that all I ever listen to in my little flat is Blue Oyster Cult and Judas Priest and Kiss, even if it’s true. Continue reading “Every Album I Own: K is for Kiss Alive II”

Archaeology Corner: Radio On

Radio On came out in 1979, and bravely attempted the impossible: to make an authentic British road movie. It was, incredibly, the British Film Institute’s most expensive film up to that point – a whole eighty grand was lavished on it, although very little of that seems to have been spent on the script. A London DJ, Robert (played by David Beames as the unlikeliest, least charismatic DJ ever, spinning Ian Dury records to an indifferent factory floor) travels to Bristol following his brother’s mysterious death. Continue reading “Archaeology Corner: Radio On”

Every Album I Own: J is for Judas Priest (The Killer Wail Part 2)

Earlier this year I posted about the poet Garcia Lorca, the album Tim Buckley recorded in his honour, and the ordeal of the Arctic explorer Apsley Cherry-Garrard who, in The Worst Journey in the World, described how killer whales tried to smash the ice to get at his ponies. I said that Tim Buckley had an amazing voice, which could slither along in a cetacean fashion, “seemingly going nowhere, then suddenly erupting, breaking the ice and hitting the high notes mere mortals cannot reach” and that he had “a killer wail”. Continue reading “Every Album I Own: J is for Judas Priest (The Killer Wail Part 2)”

Create a free website or blog at WordPress.com.

Up ↑

%d bloggers like this: